JK Flesh - New Horizon (2018)

New Horizon is one of Justin Broadrick's latest efforts. In this record, and as is the case with the majority of the JK Flesh moniker, this record brings punishing industrial numbers tinted in minimal techno. Justin's love for dub remains underlined throughout the record, presented in his own demented and twisted take. Justin comments on this record: "I actually reduce things down so they sound more like a machine for me, not like a musical instrument. It's somewhat trying to remove myself from the music and remove all shred of humanity."

Human manufacturing process

Globular - Entangled Everything (2018)

"Globular (Morison Bennett) brings us his fourth full-length album, the fan-funded Entangled Everything, demonstrating a natural and welcome progression from his previous works. This album features an eclectic blend of all things dubby, drippy, and trippy, endlessly layered and bursting with emotional crescendos that will have you coming back time and again. All music written and produced by Morison Bennett. Piano and flute on “The Chalice” by Chris Charles (AKA Geoglyph). Design and artwork by Incedigris. Inspiration on “Dasein”‘ from Light Wizard. Mastering by Kevin Metcalfe. Physical media versions of this album are also available from Bandcamp!"

Iron lion

Black Sabbath - Dehumanizer (1992)

I was surprised to see relatively a lot of traffic going through this page since I hadn't come on here or posted anything since last year, so I thought I'd get back to sharing some more music on here. Going with this one today. Nothing too obscure but been binging a lot of Sabbath and have been coming to the realization that this is my favourite Dio-era Sabbath record. Heavy, doomy, dark and a lot of badass tracks. Praise Iommi. RIP Dio.

There's another side of heaven
This way, to technical paradise

Blown Out - Superior Venus (2017)

The latest full length from psychedelic cosmonauts Blown Out. Album originally includes two gnarly 15-minute long gravity-free space psych tracks, but this upload includes two 'powerdrive demos' of the main tracks. Members include Mike Vest (the mighty Bong, Melting Hand, 11Paranoias, and a bunch of other projects), Matthew Baty and Jean-Michel Hedley (both from Pigs Pigs Pigs Pigs Pigs Pigs Pigs, and Khunt). Furthermore, Blown Out blows minds live, go see them if you get the chance to.

⋆✧★✫✩✫✫✰✺

Boards of Canada - The Campfire Headphase (2005)

The Campfire Headphase is the third full-length by Boards of Canada. This album makes use of lo-fi acoustics and reduces the focus on synthesization featured on previous records. Michael Sandison, one of the two members, says about the album "we were picturing this character losing his mind at the campfire and compressing weeks of events into a few hours, in that time-stretching way that acid fucks with your perception."

woah

Michael Nyman - The Cook, the Thief, His Wife and Her Lover (1989)

The epic soundtrack of The Cook, the Thief, His Wife and Her Lover. Fantastic scoring and film.

1. Memorial
2. Miserere Paraphrase
3. Book Depository
4. Coupling
5. Miserere

Bitchin'

Nurse With Wound - Dark Fat (2016)

Weird outsider music to get lost in the void to. If you think I'm gonna describe the sound of this album, good luck - it's just as warped as the album's aesthetics.

Man those live visuals were something.

We therefore changed our magical procedure. We went far out from the city into a hollow among the dunes. There we made a circle to protect the scribe and a triangle wherein the Abyss might manifest sensibly. We killed three pigeons, one at each Angle, that their blood might be a basis whereon the forces of evil might build themselves bodies. The name of the Dweller in the Abyss is Choronzon, but he is not really an individual. The Abyss is empty of being; it is filled with all possible forms, each equally inane, each therefore evil in the only true sense of the word --- that is, meaningless but malignant, in so far as it craves to become real. These forms swirl senselessly into haphazard heaps like dust devils, and each such chance aggregation asserts itself to be an individual and shrieks, "I am I!" though aware all the time that its elements have no true bond; so that the slightest disturbance dissipates the delusion just as a horseman, meeting a dust devil, brings it in showers of sand to the earth.  Choronzon appeared in many physical forms to Omnia Vincam, while I abode apart in my magical robe with its hood drawn over my face. He took the form of myself, of a woman whom Neuburg loved, of a serpent with a human head, etc. He could not utter the word of the Abyss, because there is no word; its voice is the insane babble of a multitude of senseless ejaculations; yet each form spake and and acted as if aping its model. His main object was to induce O.V. to leave the circle, or to break into it; so as to obsess him, to live in his life. O.V. had many narrow escapes, and once Choronzon made a long speech at a great pace to keep O.V. so busy writing it down that he would not notice that sand was being thrown from the Triangle so as to obliterate the Circle. The torrent of obscene blasphemy was beyond his power to keep up, concentration being impossible. It became an incoherent series of cries; then suddenly, perhaps catching the idea from O.V.'s mind, the demon began to recite Tom o"Bedlam.  There was now a gap in the Circle; and Choronzon, in the form of a naked savage, dashed through and attacked O.V. He flung him to the earth and tried to tear out his throat with froth-covered fangs. O.V. invoked the names of God and struck at Choronzon with the Magical Dagger. The demon was cowed by this courageous conduct and writhed back into the Triangle. O.V. then repaired the Circle; Choronzon resumed his ravings, but could not continue. He changed once more into the form of the woman whom O.V. loved, and exercised every seduction. O.V. stuck to his guns and the dialogue took other forms. He tried to shake O.V.'s faith in himself, his respect for me, his belief in the reality of Magick, and so on. At last all the energy latent in the blood of the pigeons was exhausted by the successive phantoms, so that it was no longer able to give form to the forces evoked. The Triangle was empty.  During all this time I had astrally identified myself with Choronzon, so that I experienced each anguish, each rage, each despair, each insane outburst. My ordeal ended as the last form faded; so, knowing that all was over, I wrote the holy name of BABALON in the sand with my magical ring and arose from my trance. We lit a great fire to purify the place and destroyed the Circle and Triangle. The work had lasted over two hours and we were both utterly exhausted, physically and in every other way. I hardly know how we ever got back to Bou Saâda.

Black Slate - Black Slate (1980)

Super chilled out (duh) catchy reggae. Dubbier moments throughout the second half of the album.

Da 'erbb man

Brand X - Morrocan Roll (1977)

Jazz fusion that's sometimes lumped with progressive rock from the UK. Been previously familiar with Unorthodox Behaviour (which I highly recommend) until I found this at the record store and it's been getting daily spins from me almost everyday I work there - and I always get asked 'what's playing?' so you know it's good. This record also features some slick sitar on some tracks. Overall masterful and inspired instrumentation. If you're into instrument porn, then you should hear this. I mean it's jazz fusion from 77, cmon.

Why should I lend you mine when you've already broken yours?

The Bug vs Earth - Concrete Desert (2017)

One of the best albums of the year, and might possibly be my favourite. This album's gotten so many listens from me. Amazing collaboration between Dylan Carlson and Kevin Martin aka The Bug (who's been involved with projects with Justin Broadrick like Techno Animal, Ice, God, among others such as King Midas Sound, etc.). Broken dub and occasionally industrial beats emerging from haunted guitar riffs from the drone metal pioneer himself. Also contains two mean versions of tracks mixed with Justin Broadrick's vocals. I got the privilege to see these guys twice this year. Addictive album, also great to immerse into when you're traveling through crowded public transport, bumping into all those people yet everyone's feeling disconnected from everyone, everything. Highly recommended.

Don't walk these streets

Porcupine Tree - The Sky Moves Sideways (1995)

One of Porcupine Tree's best outputs. Epic spacey progressive rock with influences from Klaus Schultz, Pink Floyd and Tangerine Dream. The songs are amazing here. The Sky Moves Sideways is easily among the band's best tracks (both parts). Semi-melancholic feel is heard throughout. Dislocated Day's oppressive riffing introduces doom vibe, another highlight from the band's catalog. If I could upload a joint, I would. Highly recommended.

I will find a way to make you say the name of your forgiver